Contents
Strategies for a Reduction to 2D Graphical Styles in 3D Computer Graphics with Hybrid Aesthetics by Yen-Jung ChangAnimated Documentaries as Masking: When Exposure and Disguise Converge by Nea Ehrlich
The Transformation of the Teenage Image in Oshii Mamoru’s The Sky Crawlers by Sheuo Hui Gan
Animating unique brain states: The animated documentary and ‘psychorealism’ by Samantha Moore
Decoding the Real: A Multimodal Social Semiotic Analysis of Reality in Animated Documentary by Javad Khajavi
Masculinity Between Animation and Live Action, or, SpongeBob v. Hasselhoff by Shannon Brownlee
The Secret of Kells, a film for a post Celtic Tiger Ireland? by Maria O’Brien
"An Experiment in Pure Design:" The Minimalist Aesthetic in the Line Films of Norman Mclaren by Aimee Mollaghan
Tradigital Mythmaking: New Asian Design Ideas for Animation by Hannes Rall
Woody’s Roundup and Wall-E’s Wunderkammer: Technophilia and Nostalgia in Pixar Animation by Colleen Montgomery
Actors in Sin City’s Animated Fantasy: Avatars, Aliens, or Cinematic Dead-ends? by Pierre Floquet